Question 1: ‘No lighting’ is different from ‘no ARTIFICIAL lighting’. 3rd slide needs development in phrasing and sentence structures. Good that you consider contrasts in Natalie’s character, though. (NB: It’s “permanently scarred”, not “permanently scared”. The two are different. Also, “scene”, and remember the difference between “chose” and “choose”.)
Question 2: Why did the zoom immerse us into the story? Why is Natalie’s text message appearing on screen something that engages the audience? Explain your reasoning. Good thought re: love and loss.
Question 3: Nice work, though you should read over your work several times to ensure your sentence structures allow for clarity of communication.
Question 4: Explain why you wanted the natural lighting for the outdoor shots. In some senses, what choice do you have, but then again you could have ramped up the F-stop, right? Answering this question is not so much about what you used, but rather what combination you used in order to achieve certain effects!
Ashlee –
ReplyDeleteQuestion 1: ‘No lighting’ is different from ‘no ARTIFICIAL lighting’. 3rd slide needs development in phrasing and sentence structures. Good that you consider contrasts in Natalie’s character, though.
(NB: It’s “permanently scarred”, not “permanently scared”. The two are different. Also, “scene”, and remember the difference between “chose” and “choose”.)
Question 2: Why did the zoom immerse us into the story? Why is Natalie’s text message appearing on screen something that engages the audience? Explain your reasoning.
Good thought re: love and loss.
Question 3: Nice work, though you should read over your work several times to ensure your sentence structures allow for clarity of communication.
Question 4: Explain why you wanted the natural lighting for the outdoor shots. In some senses, what choice do you have, but then again you could have ramped up the F-stop, right?
Answering this question is not so much about what you used, but rather what combination you used in order to achieve certain effects!
OVERALL - 13/20
- T. Marcus